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WELCOME AT ROEL’S WORLD

A blog since 27 September 2013

“It does not matter if what I think differs from what the other person thinks. What matters is that, as a result of what I can contribute to the conversation, the other discovers what is right out of themselves.”

~ Rudolf SteinerHow to Know Higher Worlds: A Modern Path of Initiation

“And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don’t believe in magic will never find it.”

~ Roald Dahl

“I Dissolve in order to Communicate, releasing Breath.
I seal the Input of Spirit, with the Spectral Tone of Liberation.
I am Guided by my own Power Doubled.”
(White Spectral Wind)


“The truth is schizophrenic and has as many faces as there are people.”— Roel Hollander

Blog » Various Favorite Quotes

Reading Time: 4 minutesMarch 24, 2014

VARIOUS FAVORITE QUOTES

Some people think that by quoting someone their wisdom and genius would “rub off” on them. Quoting others is easy, anyone can do it. To share something does not mean you truly understand and live by what it represents. Fortunately in most cases a shared quote reflect persons thoughts, feelings, and ideals. Some people though use them to “enhance” their image, creating a (false) appearance of intelligence, creativity or sense of humor. To share something is not equal to knowing and understanding something and being able to actually apply this knowledge and understanding.

I find the quotes shared with you inspirational and use them as a reminder or focus point for self-reflection and self-improvement.

For your consideration: 


The problem with quotes on the internet, is everybody has one, and most of them are wrong.” 
(Mark Twain)

An error does not become truth by reason of multiplied propagation, nor does truth become error because nobody sees it.
(Mahatma Gandhi)

Everything we hear is an opinion, not a fact. Everything we see is a perspective, not the Truth.
(Marcus Aurelius)

Truth is so obscure in these times, and falsehood so established, that, unless we love the truth, we cannot know it.
(Blaise Pascal)

Facts which at first seem improbable will, even on scant explanation, drop the cloak which has hidden them and stand forth in naked and simple beauty.
(Galileo Galilei)


READ QUOTES ABOUTCREATIVITY & AUTHENTICITY | COSMOS | VARIOUS


QUOTES ABOUT CREATIVITY & AUTHENTICITY

Bill Nye - Everyone you will ever meet knows something you don't.

Originate, don’t imitate.” 
(George A. Hormel)

An original writer is not one who imitates nobody, but one whom nobody can imitate.” 
(De Chateaubriand)

Do not follow the ideas of others, but learn to listen to the voice within yourself. Your body and mind will become clear and you will realize the unity of all things.” 
(Dogen, Buddhist monk and philosopher)

If you walk in the footprints of others, you won’t make any of your own.” 
(unknown author)


READ QUOTES ABOUTCREATIVITY & AUTHENTICITY | COSMOS | VARIOUS


COSMIC QUOTES

Rudolf Steiner

As Above, So Below.
(Hermes Trismegistus)

I know nothing with any certainty, but the sight of stars makes me dream.” 
(Vincent Van Gogh)

Overcome space, and all we have left is Here. Overcome time, and all we have left is Now.” 
(Richard Bach, Jonathan Livingston Seagull)


READ QUOTES ABOUTCREATIVITY & AUTHENTICITY | COSMOS | VARIOUS


VARIOUS QUOTES

Albert Einstein Lewis Thomas Dara O'Brian

Even though I don’t think I’ll convert the world to rationality, I may influence an occasional person here and there. And every small addition to the sum total of rationality is precious and I would like to be responsible for as many drops we could possibly add to that small pond.
(Isaac Asimov)

‎”Be yourself – everyone else is already taken.
(Oscar Wilde)

We must become the change we want to see in the world.” 
(M. Gandhi)

I celebrate myself, and sing myself, and what I assume you shall assume, for every atom belonging to me as good belongs to you.” – from a poem in the bundle “Leaves of Grass”
(Walt Whitman)

It’s easy to let life deteriorate into making a living instead of making a life. It’s not the hours you put in, but what you out into the hours that count. Learn to express rather than impress. Expressing evokes a ”me too” attitude while impressing evokes a ”so what” attitude.” 
(Jim Rohn)

The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot.” 
(Salvador Dali)

What other people think about you, is none of your business.” 
(unknown author)

I don’t believe in luck … but I do appreciate the sentiment.” 
(unknown author)

Time is fun when you’re having flies, said the frog.” 
(unknown author)

Obsessed is a word the lazy use to describe the dedicated.” 
(unknown author)

An intellectual is someone who can listen to the “William Tell Overture” without thinking of the Lone Ranger.” 
(John Chesson)

To weird to life, to rare to die.” 
(movie: Fear and Loathing in las Vegas)

Free your mind and your ass will follow!” 
(Funkadelic)

People today are in danger of drowning in information; but, because they have been taught that information is useful, they are more willing to drown than they need be. If they could handle information, they would not have to drown at all.” 
(Idries Shah, Reflections)

Culture is properly described as the love of perfection; it is a study of perfection.
(Matthew Arnold)

Don’t believe what your eyes are telling you. All they show is limitation. Look with your understanding. Find out what you already know and you will see the way to fly.” 
(Richard Bach, Jonathan Livingston Seagull)

Sticking Feathers Up your Butt Does Not Make You A Chicken.
(Fight Club – Movie)

READ QUOTES ABOUTCREATIVITY & AUTHENTICITY | COSMOS | VARIOUS


CHECK OUT 300+ Top Inspirational Quotes & Quote Pictures


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Jazz Photography

Reading Time: 3 minutesJanuary 23, 2014

JAZZ PHOTOGRAPHY

Favorite photographs of my favorite Jazz musicians (by various Photographers).

Dexter Gordon Herbie Hancock John Coltrane Miles Davis Dizzy Gillispie Michael Brecker Thelonious Monk Roy Hargrove Chick Corea Sonny Rollins Pharoah Sanders Ornette Coleman Michel Petrucciani Lou Donaldson John Scofield Joe Henderson Hank Mobley Eddie Harris Dave Brubeck Chet Baker Charles Mingus Charles Rouse Charlie Parker Roland Kirk Marcus Miller Maceo Parker Lee Morgan Kenny Garett Joshua Redman Jimmy Smith Donald Byrd Courtney Pine Charlie Haden Brian Blade Branford Marsalis Bill Evans Bill Evans

All images used in this blog article have been found with Google Search. I do not own any rights concerning these artworks or represent the artists!

Creative Commons License

Blog » Jazz Artworks

Reading Time: 7 minutesJanuary 23, 2014

JAZZ ARTWORKS

Jazz Artworks made by various painters and graphic artists. Visit the artist websites (link – if availabe – provided) for more information about the artists and their work.

ARTISTS (Alphabetically):
Justin Bue | Mark DukesDavid Lloyd Glover | Sean HaganDebra HurdSteven Lopez | Frans Mandigers | Irina March | Mike Massengale | Kaaria Mucherera | Yuriy Shevchuk | Lionel Thomas |  Dimitar Traychev | Vel VerreptLeon Zernitsky 



JUSTIN BUE (USA)
www.justinbua.com

Trumpetman by Justin Bua Pyroclatic Flow by Justin Bua Pianoman by Justin Bua Pianman by Justin Bua Bassplayer by Justin Bua by Justin Bua Serigraph by Justin Bua

MARK DUKES (St. John Coltrane African Orthodox Church, San Francisco, USA)
www.coltranechurch.org

John Coltrane by Mark Dukes John Coltrane by Mark Dukes John Coltrane by Mark Dukes

DAVID LLOYD GLOVER (CA)
www.davidlglover.com

Miles Davis by David LLoyd Glover Miles Davis by David LLoyd Glover Jazz Beat by David LLoyd Glover Duke Ellington by David LLoyd Glover John Coltrane by David LLoyd Glover Clifford Brown by David LLoyd Glover Charlie Parker by David LLoyd Glover Ray Charles by David LLoyd Glover

SEAN HAGAN
www.seanhaganart.com

Jazz by Sean Hagan The Octet by Sean Hagan La Bande Du Jazz by Sean Hagan Roof Trane by Sean Hagan Blue Monk by Sean Hagan

DEBRA HURD
www.debrahurdart.com

John Coltrane by Debra Hurd  by Debra Hurd  by Debra Hurd The Unit by Debra Hurd Thelonious Monk by Debra Hurd Miles Davis by Debra Hurd Charles Mingus by Debra Hurd

STEVEN LOPEZ
www.ikeepmoving.com

After Midnight Soul by Steven Lopez Aretha Franklin by Steven Lopez Erykah Badu by Steven Lopez Jill Scott by Steven Lopez

FRANS MANDIGERS
www.mandigers-art.nl

Saxophone Player by Frans Mandigers Chet Baker by Frans Mandigers Kenny Barron by Frans Mandigers Clifford Brown by Frans Mandigers Trombone Shorty by Frans Mandigers Charles Mingushttp://www.mandigers-art.nl/img/art_jazz/Saxplayer_160x120cm.jpg

IRINA MARCH

Joe Henderson by Irina March Joe Henderson by Irina March Thelonious Monk by Irina March Thelonious Monk by Irina March Miles Davis by Irina March Miles Davis by Irina March Louis Armstrong by Irina March Eaton Cleveland by Irina March Ray Charles by Irina March

MIKE MASSENGALE

The Little Red Rooster by Mike Massengale Brush Work by Mike Massengale 8 Bars by Mike Massengale Jam by Mike Massengale Comfort Zone by Mike Massengale Horn Player by Mike Massengale Al Jarreau by Mike Massengale Shinig Euphoria by Mike Massengale

KAARIA MUCHERERA

Kobalt Jazz by Kaaria Mucherera Mango Jazz by Kaaria Mucherera Jazz Sharp by Kaaria Mucherera Hot and Cool Jazz by Kaaria Mucherera

YURIY SHEVCHUK
www.shevchukart.com

John Coltrane by Yuriy Shevchuk John Coltrane by Yuriy Shevchuk John Coltrane by Yuriy Shevchuk Charlie Parker by Yuriy Shevchuk Miles Davis by Yuriy Shevchuk Miles Davis by Yuriy Shevchuk Miles Davis by Yuriy Shevchuk Herbie Hancock by Yuriy Shevchuk Nina Simone by Yuriy Shevchuk Marcus Miller by Yuriy Shevchuk Marcus Miller by Yuriy Shevchuk

LIONEL THOMAS
www.liothomas.com

Lionel Thomas - "Blow" Lionel Thomas - "Kind of Blue" Lionel Thomas - "Saxophonist" (Sketch) Lionel Thomas - "Saxophonist" Lionel Thomas - "The Bird" Lionel Thomas - Nina Simone Lionel Thomas - Marvin Gaye

DIMITAR TRAYCHEV
www.stalker.bg

John Coltrane by Dimitar Traychev Michael Brecker by Dimitar Traychev Stan Getz by Dimitar Traychev Gerry Mulligan by Dimitar Traychev Charlie "Bird" Parker by Dimitar Traychev Eric Dolphy by Dimitar Traychev Clifford Brown by Dimitar Traychev Jaco Pastorius by Dimitar Traychev

VEL VERREPT
Facebook Page

John Coltrane by Vel Verrept Dexter Gordon by Vel Verrept Chet Baker by Vel Verrept Thelonious Monk by Vel Verrept Freddie Hubbard by Vel Verrept

LEON ZERNITSKY
www.leonzernitsky.com

By Leon Zernitsky By Leon Zernitsky By Leon Zernitsky By Leon Zernitsky

All images used in this blog article have been found with Google Search. I do not own any rights concerning these artworks or represent the artists!

Creative Commons License

Blog » Other Articles

Reading Time: < 1 minute
Blog » Jazz Artworks

Blog » Jazz Artworks

JAZZ ARTWORKS Jazz Artworks made by various painters and graphic artists. Visit the artist websites (link - if availabe - provided) for more information about the artists and their work. ARTISTS  (Alphabetically): Justin Bue  |...
Blog » Various Favorite Quotes

Blog » Various Favorite Quotes

VARIOUS FAVORITE QUOTES Some people think that by quoting someone their wisdom and genius would "rub off" on them. Quoting others is easy, anyone can do it. To share something does not mean you truly understand and live by what it represents....
Blog » WordPress Jazz Tributes

Blog » WordPress Jazz Tributes

WORDPRESS JAZZ TRIBUTES "WordPress core developers share a love of jazz music, and since WordPress 1.0 all major releases are named in honor of jazz musicians they admire." It doesn't say anything about Wordpress itself of course, but it's...

Blog » ⚠ 432Hz & The Schumann Resonance

Reading Time: 4 minutes September 27, 2013

432Hz & THE SCHUMANN RESONANCE

⚠ AN IMPRACTICABLE “CIRCUMSTANTIAL” THEORY

On various sites that provide information about 432-tuning (Concert Pitch A4=432Hz or C4=256Hz + Pythagorean Temperament), the “Schumann Resonance” fundamental (at approx. 8 Hz) is often being put “on the table” as evidence: “8Hz is 5 octaves below C4=256Hz”. 

HOWEVER, is it correct to state that there is a relationship between the Schumann Resonance and concert pitch A4=432Hz? Does this proclaimed “relationship” really validate the claim that using 432Hz as Concert Pitch is “better”, more “natural”, more “in sync with Earth”?

SCHUMANN RESONANCE FREQUENCY FUNDAMENTAL IS IN CONSTANT FLUX

Various sources (including Wikipedia and lunarplanner.com) make note of the resonance frequencies to be in flux, under the influence of “solar-induced perturbations to the ionosphere”. So the pitch of the resonance frequencies could even be lower or higher then the (by some 432 enthusiasts) proclaimed 8Hz.

The Schumann Resonance frequencies were first calculated by physicist Winfried Otto Schumann in 1952, he reporting the lowest in the group to be about 10 Hz. They were later measured by the National Bureau of Standards at Boulder Colorado in the 1960’s where the 7.8 Hz nominal figure was discovered along with the 5.9Hz progressing overtones.

These resonances are NOT composed of fixed or specific frequencies any more than the collective mood of human surface consciousness is fixed. Changes occurring in these frequencies are quite normal and do not indicate anything out of the ordinary. All of these frequencies fluctuate around their nominal values. For example, the fundamental Schumann frequency fluctuates between 7.0 Hz. to 8.5 Hz. These frequencies vary from geological location to location, and they can even have naturally occurring interruptions.”

In actuality, there are several frequencies between 7 and 50 Hertz that compose the Schumann Resonances. These frequencies start at 7.8 Hz and progress by approximately 5.9 Hz. (7.8, 13.7, 19.6, 25.5, 31.4, 37.3, and 43.2 Hz.).”

“There has also been rumor circulating in some esoteric circles about the 7.8 Hz. Schumann frequency increasing and that this implies a raising of the awareness or spirituality of human consciousness. In my opinion, both points are nonsense built upon misunderstandings about the fluctuating and multi-frequency nature of the Schumann Resonances and about the nature of frequencies in general. Even if it were true (which would require a significant change in the physical size of the Earth or in her surrounding atmosphere), an increase in frequency does not imply an increase in awareness — on the contrary if anything.”

Nick Anthony Fiorenza – www.lunarplanner.com

TOMSK (Tomsk State University Russia)

Local time in the graph below is expressed in hours of summer daylight saving time (TLDV). TLDV = UTC + 7 hours.

CLICK ON THE IMAGE BELOW (OR THE LINK ABOVE) TO SEE THE LATEST PLOTTED IMAGE!

TOMSK-example
VLF MONITORING STATION  (CUMIANA (TO), NW Italy, south Europe.)

Live data from The picture below shows 30 hours, and values are detected every 150s.

CLICK ON THE IMAGE BELOW (OR THE LINK ABOVE) TO SEE THE LATEST PLOTTED IMAGE!

last-plotted

Four traces are reported:

  • Geophone trace, it shows the average and peak signals coming from the geophone sensor, in 1-20 Hz range.
  • ULF noise 10 Hz, it shows the medium value between 3 and 30 Hz.
  • ELF noise 100 Hz, it shows the medium value between 30 and 300 Hz.
  • 2th SR frequency, it shows the frequency of second Schumann resonance (in Hz).
SCHUMANN FUNDAMENTAL AND MUSICAL TUNING

The idea that some 432 enthusiasts put on the table:

PYTHAGOREN @ A4=432Hz → C4=256Hz → 8Hz Fundamental.
In comparison: 12-TET @ A4=432Hz → C4=256.87Hz → 8,03Hz Fundamental.

In most sources an average of 7.8Hz is mentioned for the Schumann Fundamental. So, if we tune to C4=256Hz
(C-1=8Hz), would we then still be “in tune” with the Schumann Resonance Fundamental of 7.8Hz?

The 0.2Hz difference (in comparison with 8Hz) does not seem that much of a difference, but, when we look at 7.8Hz (C-1) and calculate C4 (the tone exactly 5 octaves above), we end up with C4=249,6Hz, a difference of 6.4Hz !!! with 256Hz. That is a rather large difference when it comes to tuning. 

Other online sources do mention other frequencies when it comes to the fundamental: 7.83Hz or 7.86Hz. With only a decimal difference of .03Hz or .06Hz the result of the tone Frequency 5 octaves above, would generate a significant difference:

7.80Hz fundamental → C4=249.60Hz → A4=419.77Hz (12-TET) / A4=421.19Hz (Pythagorean)
7.83Hz fundamental → C4=250.56Hz → A4=421.39Hz (12-TET) / A4=422.82Hz (Pythagorean)
7.86Hz fundamental → C4=251.51Hz → A4=422.99Hz (12-TET) / A 4=424.42Hz (Pythagorean)
8.00Hz fundamental → C4=256.00Hz → A4=430.54Hz (12-TET) / A4=431.99Hz (Pythagorean)
8.03Hz fundamental → C4=256.89Hz → A4=432Hz (12-TET) / A4=433.5Hz (Pythagorean)

CONCLUSION …

Using the Schumann Resonance as “solid evidence” to “prove” the validity of A4=432Hz as concert pitch is rather “circumstantial” (some would say “pseudo-scientific”).

HOWEVER, since resonance is in flux, then it is reasonable to say the fundamental “can be”, “could become”, and “might have been” at exactly 8Hz at various (short) moments in time. So, from “moment to moment” using A4=432Hz might make your music “in sync” with the Schumann Resonance fundamental frequency, with “Earth’s vibratory nature” … and “out of sync” at other moments too.

And so does 440Hz at moments … when in flux the pitch rises …

12-TET: A4=440Hz → C4=261.63Hz → 8.18Hz fundamental.
PYTHAGOREAN: A4=440Hz → C4=260.74Hz → 8.15Hz fundamental.

As you can see, 8.18Hz and 8.15Hz in the examples above is well within the flux range of the Schumann Resonance Fundamental. You could say that 440Hz is equally valid as Concert Pitch as 432Hz if the Schumann Resonance Fundamental is “leading proof”. 😉


REFERENCES:


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Disclaimer, Copyright & Credits

Reading Time: 5 minutes

DISCLAIMER

I do not claim:

  • the information provided in my blog articles to be the (only) truth, it is simply: “my world, my truth“.
  • being a certified specialist or scientist. 
  • any form of ownership concerning the quoted information and provided images made by others.

If you discover content related errors in my blog articles, then please do contact me, so I can correct mistakes. Thank you!

RESPECT

Unfortunately some people have not been able to respect “a difference of opinion” and have used rather insulting and demeaning language to describe my person online. I even received threats expressing the intent to hack or take-down my blog from people.

It is OK to disagree and criticize the content of my blog, We are all unique and have the right to have our own view on things and so have I, right?!

So, I would like to ask you kindly: “don’t play the man, play the ball” (argumentum ad hominem). Thank you!

LANGUAGE

English is not my native language. I was born in The Netherlands but reside in Bulgaria nowadays. I have chosen to write this blog in English so more people (than the native Dutch or Bulgarian speakers) can read what I like to share.

There might be grammatical errors in my writing, my apologies for that. If you come across such errors, feel free to send me a message, so I can make corrections.

REFERENCES (SOURCES)

In every blog article I provide links and information to seemingly proper sources. I generally try to cross-examine the data I quote in my articles with various sources when available. I do not proclaim though that the quoted information and their sources are irrefutably true / trustworthy. 

WIKIPEDIA
I am aware Wiki isn’t flawless, that’s clearly noted in their disclaimer. The information I have used from Wiki is also shared on various other sites and in other sources (books). The reason why I quote Wiki more often then various other sources is that is a more neutral (less subjective) site then pretty much any other site due to it’s “open source” nature and thus my preferred source to quote from.

KUDOS (CREDITS) & COPYRIGHT

All images and quoted information shared in this blog belong to their respective owners. These owners are referred to and (when possible) linked to in the articles containing their work. I do not claim any rights concerning their work.

I specially like to mention: Derrick Scott van Heerden (mathemagicalmusic.weebly.com), John Stuart Reid (cymascope.com), Mr. Fletcher James (Schiller Institute), Nick Anthony Fiorenza (lunarplanner.com), Brian T. Collins (omega432.com), Marko Rodin (concerning Vortex Math only), Graham H. Jackson (grahamsmusic.com), “Perfect Circle of Sound” by L. Horowitz (in banner “Ancient Solfeggio Frequencies” article), Guillermo (transcendentaltones.com), Brendan Bombaci, and Eduard Heyning.

Background image “doodles and Scribbles 03” by “thebrokenminor“.

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use”.

This blog is a non-profit website, with comments, research results and “teachings” available to all and credit it’s sources.

At the bottom of every article you will find an small Creative Commons image that shows you under what licence the article in question falls. On this blog 4 licences are used:

LICENCES (CREATIVE COMMONS)

Many (but not all) articles on this blog fall under the Creative Commons Attribution-NonCommercial-ShareAlike licence.

The articles that fall under this licence contain the following CC image at the end of the article:

 

THIS MEANS THAT YOU ARE FREE TO:

  • SHARE — copy and redistribute the material in any medium or format
  • ADAPT — remix, transform, and build upon the material

UNDER THE FOLLOWING TERMS/CONDITIONS:

  • ATTRIBUTION — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  • NONCOMMERCIAL — You may not use the material for commercial purposes.
  • SHAREALIKE — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. 

No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. The licensor cannot revoke these freedoms as long as you follow the license terms. 

The reason why I have chosen for this licence is because I “believe” that knowledge belongs to mankind as a total, not to an individual. If we freely share what we know and stimulate each others development, then mankind could make a giant leap towards an “enlightened” world.

! EXCEPTION: NO DERIVATIVES

Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence.

These articles contain the following CC image:

 

For articles with this licence the same terms apply as written above, EXCEPT that you are not free to Adapt (— remix, transform, and build upon the material). 

The reason you are not free to adapt the content of these articles (without my consent) is that these articles represent a very personal view on these subjects and/or contain content that I personally contributed. Those articles are more then “just a collection of gathered facts”. Feel free to contact me though, if you provide me a good enough reason to divert from this policy, then I am more then willing to do so!


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You are free to do what ever you wish with the content of this article. The only condition for this articles is ATTRIBUTION — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.

PUBLIC DOMAIN

Creative Commons CC0 1.0 Universal (CC0 1.0) licence.

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In those articles I mainly shared public information or content I do now own any right of. Thus, I “waive away” any rights concerning the by me created content in those articles. All other content shared in those articles belong to their respective owners.